Sovereign, by CJ Sansom. Book review
Pan,
2007. ISBN 978-0-330-43608-3. 653 pages
This
historical mystery is the third in the Shardlake series, following on from
Dissolution (review)
and Dark Fire (review).
Sovereign is set in York and London in September-November 1541, with an
epilogue in February 1542. King Henry VIII, Queen Catherine Howard, Lady Jane
Rochford and Archbishop Cranmer are important secondary characters. All the
main characters are fictional.
After
the horrors recounted in Dark Fire,
lawyer Matthew Shardlake has built up a modestly prosperous property law
practice in London, with Jack Barak (formerly one of Thomas Cromwell’s
henchmen) employed as his clerk. When Shardlake accepts a seemingly
straightforward task from Archbishop Cranmer, he finds out too late that it
also involves a political mission, escorting an important prisoner from York to
London. Arriving in York, Shardlake and Barak find the city and region seething
with resentment and hostility to the King. The destruction of the monasteries
and the sale of their vast land holdings to absentee landlords, mainly in London,
has not only wrecked the regional economy as the new landlords siphon the rents
south, but also removed the safety net for those left destitute. Only a few
months earlier a conspiracy against the King was discovered, throwing the
London government into a panic and provoking King Henry to undertake a huge
armed progress through the north of England. Shardlake’s prisoner was part of
this conspiracy, and is to face torture in the Tower of London to force him to
betray his associates. Shardlake, a humane man, is distressed by his mission
and by the obvious injustice of the treatment of the North. And then a murder and
a chance encounter bring Shardlake and Barak into possession of not one but two
secrets perilously close to the throne. As events unfold, Shardlake uncovers a
secret that threatens to plunge England into chaos and civil war – and he has
powerful enemies at court who have a terrifying fate in store for him...
This
third instalment in the Shardlake series is even darker than the first two.
Corruption and cruelty are pervasive, and Shardlake finds out – personally, in
one of the most harrowing sequences in the book – that honesty and justice do
not necessarily provide any protection. His disillusion with both religion and
royalty, developing through the first two novels as he witnessed abuses of
power, is now complete. Shardlake is a decent man living in evil times, when
integrity and a strong moral sense can carry a very high price. Several years
ago when I reviewed Dissolution, I
said ‘I will be interested to see how (if?) Shardlake and his principles manage
to navigate the rest of Henry’s increasingly tyrannical reign’. In Sovereign, this is thrown into sharp
relief.
The
plot is suitably complex, with multiple strands that cut across one another.
Some are connected and some are purely coincidental, providing ample scope for
red herrings and false leads to keep the reader guessing. Whether the ancient
rumours on which the main plot turns would really have been enough to threaten
Henry VIII is hard to say. On the one hand, the dearth of alternative
candidates – the nearest direct heir was a Cardinal in Rome – would surely have
given pragmatists pause. On the other, Henry had made a great many enemies as a
result of his marital antics, religious power-grab and increasingly tyrannical
rule, and at least two serious rebellions had already been attempted (the
Pilgrimage of Grace in 1536 and the conspiracy in 1541). Given Henry’s caprice
and paranoia, it is entirely plausible that such rumours could have been extremely
dangerous to those who happened upon them (regardless of whether there was
actually a credible threat to Henry himself).
I was
pleased to see Jack Barak back again, after his introduction in Dark Fire. This time he has a challenge
of his own, a sparky young woman who works as a confectioner and seamstress for
one of Queen Catherine’s ladies. It will be interesting to see if Barak is
luckier in love than Shardlake has been so far – though I have to say I can’t
really imagine Barak as a steady family man.
Like
the previous two, the novel is very long and the pace is stately, even slow.
This partly reflects Shardlake’s methodical nature; he seems to observe even
attempts on his life in meticulous detail. The slow pace and the length allows
plenty of space for historical detail about life at various levels of society under
Henry’s rule.
A
helpful historical note at the end outlines the background to the Progress, the
northern rebellions and the rumours about the Tudor family tree, and there is a
bibliography of selected further reading. A map at the front showing the layout
of York in 1541 is helpful to follow the scenes in the city, and another map
outlines the route of the Progress and Shardlake’s voyage from York to London
for readers unfamiliar with English geography.
Dark
historical mystery set against the cruelty and corruption of England during the
later years of Henry VIII’s reign.
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