Showing posts with label The Tenderness of Wolves. Show all posts
Showing posts with label The Tenderness of Wolves. Show all posts

05 February, 2014

The Tenderness of Wolves, by Stef Penney. Book review



Quercus, 2007.  ISBN 978-1-84724-067-5. 450 pages.

The Tenderness of Wolves is set in Canada in 1867, against a background of farming, trapping and fur trading in an isolated frontier settlement. All the main characters are fictional.

When French trapper Laurent Jammet is found brutally murdered in his cabin in the isolated frontier settlement of Dove River on Georgian Bay, suspicion falls on seventeen-year-old Francis Ross, adopted son of a local farming couple, who disappeared on the same day. Anxious to find out the truth and to clear her son’s name, Mrs Ross (her first name is never given, but can be deduced) sets out to follow his tracks north into the wilderness.  She has the help of a stranger to the settlement, Parker, a trapper who was acquainted with Jammet and who has his own reasons for seeking the killer. Also on the trail are three investigators from the Hudson Bay Company, and a Toronto scholar searching for a mysterious bone tablet that was owned by Jammet and vanished at his death.  Soon the empty forest and tundra are criss-crossed by various search parties, seeking to find – or conceal – the truth about the murder. Not everyone will return.

The Tenderness of Wolves is part literary novel, part mystery, part (mild) adventure quest, and part understated and bitter-sweet love story. The novel has an unusual structure, with short chapters alternating between a first-person narrative by Mrs Ross and third-person narratives from the viewpoint of various other characters. This can be confusing, as everyone seems to have a similar narrative style, and I quite often found myself having to backtrack to remind myself of the narrator, especially if I had put the book aside for a while.  Provided you concentrate, though, the structure has the benefit of showing people and events from more than one perspective.  The novel is written throughout in present tense, a technique that I don’t generally care for. I think it may be intended to create an impression of immediacy, like a screenplay, but for me it always has the effect of distancing me from the characters and putting everything into slow motion.

Fortunately, the beauty of the landscape descriptions are worth lingering over, so the slow pace does not matter. This was the outstanding feature of the book for me. Forest and bog and bony upland, all under ever-deepening snow as winter tightens its grip, the bone-aching cold and the loneliness of an empty landscape where one settlement may be several days’ arduous travel from the next, are described in lyrical prose. The lovely scene in which Mrs Ross and Parker watch a wolf on the edge of their camp is especially memorable.

The vast landscape dwarfs the humans living in it, and many of the characters seem to be oppressed by it in different ways, perhaps feeling that it magnifies their sense of their own inadequacies. Early in the novel Mrs Ross, who came to Canada from the Scottish Highlands – itself a sparsely populated environment, especially after the Clearances had got going – tells us that when she first arrived she was so overwhelmed by the emptiness that she broke down in tears.  Donald Moody, a likeable and introspective young man who works for the Hudson Bay Company, is unsure of himself, doubting his ability to manage in such a place.  Another company man is apparently in the process of drowning his fears in laudanum.  By contrast, some of the Native American trappers such as Parker seem completely at home in the wilderness.

In a cleverly constructed plot, the murder mystery turns out to be connected to a web of theft, mutiny and trade monopolies, gradually revealed by the various searchers.  All the threads of the murder – who did it and why – are neatly drawn together and resolved at the end.  Many other threads are left hanging, though (I was especially disappointed about the bone tablet).  I suppose this reflects real life, which tends to be full of unresolved mysteries and unanswered questions.

There’s no map and no historical note, so readers interested in aspects of the background, such as the history of pioneer settlement in Canada, or the workings of the fur trade and the Hudson Bay Company, will have to research it on their own.

Beautifully written tale of a pioneer community in nineteenth-century Canada, part mystery and part bitter-sweet love story.