The Road to Rome, by Ben Kane. Book review

Arrow, 2011.  ISBN 978-1-8480-9016-3. 540 pages.

Third in the Forgotten Legion trilogy, The Road to Rome is set in Egypt, Asia Minor, North Africa and Rome in 48 to 44 BC, against the background of the Roman civil wars and the plot against Julius Caesar.  Caesar, Decimus Brutus* and Marcus Antonius (Mark Antony) are important secondary characters, and various other Roman senators and military officers have minor parts.  The main characters are fictional.

Romulus, ex-gladiator and runaway slave, has escaped from a battle in distant India and is making his way homeward to Rome in search of his twin sister Fabiola, accompanied by his friend Tarquinius, the last Etruscan soothsayer.  Reaching Alexandria, they are forcibly recruited into Caesar’s legions during a desperate battle for the city.  If Romulus survives the fighting, he risks execution if anyone finds out he is a runaway slave.  Meanwhile in Rome, Fabiola is the mistress of wealthy senator Decimus Brutus, and is seeking revenge on Caesar, the man she believes raped her mother and who once tried to rape her.  As Caesar gains a monopoly of power in Rome, Fabiola sees her opportunity in the plotting of a group of disaffected senators – but an ill-judged affair with Marcus Antonius and a feud with a street thug place her in great personal danger.  As the storm-clouds gather over Rome, Romulus, Tarquinius and Fabiola all find their paths leading them to the Senate on the fateful Ides of March…

The Road to Rome is the third book in the trilogy that began with The Forgotten Legion (reviewed here earlier), describing Romulus’ adventures with Crassus’ ill-fated invasion of Parthia and then serving the Parthians in Central Asia, and continued in The Silver Eagle (reviewed here earlier) as Romulus fights battles in India and joins a wild beast hunter procuring animals for the Roman arena in East Africa.  Like the first two, The Road to Rome is a larger-than-life all-action adventure.  The narrative cuts back and forth between the storylines involving the different lead characters, and every chapter ends on a cliffhanger with one or more of the main characters facing deadly peril.  It reminded me of an action film in book form.

Caesar’s campaigns in the civil war provide the opportunity for numerous graphic blow-by-blow battle scenes, especially in the first two-thirds of the book where Romulus is fighting with Caesar’s legions across Roman North Africa and Asia Minor.  Readers who want to imagine fighting scythe-wheeled chariots or battle elephants will find much to enjoy.  A wild beast fight against a rhinoceros in the arena provides another spectacular set-piece action sequence.  In the last third or so of the book, the scene switches to Rome and the conspiracy against Caesar.  Even in Rome, street brawls and gang warfare provide plenty of scope for violent action.

A big plus for me was that there seemed to be much less mysticism in The Road to Rome than in the previous two books (especially The Silver Eagle, which I thought tipped over into historical fantasy).  The characters believe in gods and omens, and Mithraism is present as a sort of first-century freemasonry, but there is little in the way of actual supernatural events.  Another big plus for me was that although the civil wars lasted four years, the book doesn’t artificially compress events, instead making use of the ‘Three months later’ technique to skip over time periods that are not directly related to the plot.

The book is written in modern English, e.g. Fabiola thinks of Marcus Antonius as ‘…an alpha male from his head to his toes….’, with a sprinkling of Latin terms.  Readers unfamiliar with the period may like to bookmark the useful glossary at the back of the book that explains the Latin terms.  I only found the glossary after I finished the book, although that didn’t matter as I found I either recognised the terminology or could work it out from context.

A map at the front shows Europe and Asia, though oddly it doesn’t show the locations of some of Romulus’ important battles such as Thapsus and Ruspina.  A helpful Author’s Note summarises some of the underlying history and explains where fictional events and characters have been slotted in.  Most of the plot threads from the preceding instalments have been resolved by the end, though one question remains open and there may be potential for another adventure (though not for all of the characters) in the future.

All-action historical adventure set against the background of the civil wars and the plot to assassinate Caesar in first-century Rome

  

*A relative of Marcus Brutus, of ‘Et tu Brute?’ fame, who also makes an appearance as a minor character.

Libertas, by Alistair Forrest. Book review

Edition reviewed: Quaestor2000, 2009. ISBN 978-1-906836-07-8. 218 pages. Also available as an e-book in various formats at Amazon Kindle and Smashwords.

Libertas is set in the first century BC in southern Spain and the Mediterranean, against the background of the civil war between Roman generals Julius Caesar and Pompey the Great. The historical figure of Sextus Pompey (younger son of Pompey the Great) is an important secondary character, and other historical figures including Julius Caesar, Gnaeus Pompey (elder brother of Sextus), Marcus Agrippa and Titus Labienus make brief appearances. All the main characters are fictional.

Melqart, nicknamed Pito, is the son of a respected baker in the quietly prosperous mountain town of Munda in Hispania Ulterior (modern southern Spain). When the Roman army decides that Munda’s location is of strategic importance, Pito’s talent for invention earns him a role as a surveyor, map-maker and deviser of a signalling system. But when Munda finds itself the focal point for a savage battle in the Roman civil war, Pito’s old enemy, the villainous local thug Arsay, sees his chance to seize power. If Pito is to survive and rescue his beloved family from slavery, it will take all his courage and ingenuity, not to mention the help of unexpected allies…

Melqart (Pito), the central character and narrator of this adventure tale, is an unusual and likeable hero. A reluctant warrior who only fights if he has to, Pito would much rather solve a problem by applying his brains than his fists. He turns out to be a talented inventor, coming up with innovations such as a mirror signalling system, a retractable keel and a torpedo. Pito is drawn to knowledge in all its forms, from the library of scrolls left by the Greek philosopher Archimedes* in Syracuse to the spiritual wisdom of the enigmatic mountain hermit Uriel. He also has a semi-mystical relationship with the magnificent mountain eagles that patrol the skies above Munda. Indeed, the eagles are as important as the human characters, intervening decisively at crucial points in Pito’s life.

The historical Sextus Pompey displayed considerable enterprise after his father’s defeat, not only managing to avoid getting killed but setting up for a while as a successful pirate and operator of a maritime protection racket on the island of Sicily. He is a memorable character in Libertas, a rogue with style, wit and charm who, despite his shrewd eye for the main chance, is generous and immensely loyal to his friends, including those of modest status like Pito.

Pito’s adventures take him far and wide across the Mediterranean to the desert kingdoms of North Africa and the volcanoes of Sicily, encountering a variety of different cultures and people. Details of daily life – baking bread, a village feast, growing and preparing food – are described with as much care as the dramatic scenes of battle, storm and volcanic eruption. The landscape of southern Spain around Munda (modern Monda) is beautifully portrayed, with its craggy peaks, aromatic mountain pastures, rivers, ravines and olive groves. Pito reflects from time to time that Munda is a little corner of Paradise on earth, and it would be difficult not to agree with him.

Libertas shows how a largely peaceable and prosperous community can be suddenly devastated, just because it happens to be a convenient place for a battle between rival foreign powers. The inhabitants of Munda have little or no direct involvement in the conflict between Roman political factions, but the war arrives anyway with all the random violence of a hurricane, wreaks its havoc and leaves the bewildered survivors to pick up the pieces as best they can.

The Battle of Munda in 45 BC was a real event, although its location is uncertain according to the Author’s Note. Here it is placed near modern Monda, inland from the Costa del Sol. The fictional coastal village of Apollacta is a clever play on the modern name of the coast – it translates as ‘Apollo’s Shore’ or the coast of the sun god. Holidaymakers heading off for a break in the sun this summer might like to pack a copy of Libertas and imagine what this popular corner of southern Spain might have been like two thousand years ago.

A short Author’s Note at the back summarises some of the underlying history, and two maps at the front show the location of Munda and a plan of the town as imagined in the novel. Particularly useful is a map showing the battlefield of Munda in detail and the dispositions of the forces involved, sensibly placed in the relevant chapter so the reader can refer to it during the gripping battle scenes.

Fast-paced adventure tale of invention, courage, friendship and survival, set in the idyllic landscape of southern Spain against the background of the civil war between Caesar and Pompey.




*Yes, that Archimedes, he of the “Eureka” moment, the Archimedes screw, etc.

The Silver Eagle, by Ben Kane. Book review

Edition reviewed: Preface Random House, 2009, ISBN 978-1-84809-011-8. 402 pages.

Sequel to The Forgotten Legion, The Silver Eagle is set across most of the Roman known world in 55 BC to 48 BC. Julius Caesar, Decimus Brutus*, and some of the senior Roman officers and politicians are secondary characters. All the main characters are fictional.

Fabiola, sold into prostitution as a child slave, has been bought and freed by her lover, senior army officer Decimus Brutus. Her twin brother Romulus and his friends the Etruscan soothsayer Tarquinius and the mighty Gaulish warrior Brennus were captured by the Parthians after Crassus’ disastrous defeat at Carrhae (told in The Forgotten Legion), and are now serving the Parthians as border guards in the distant province of Margiana (modern Turkmenistan). Fabiola wants to find out if her brother is still alive and to take revenge on the unidentified Roman aristocrat who raped her mother. Romulus wants to return to Rome and find his sister – but he, Tarquinius and Brennus must first face an epic battle in India and a dangerous journey from the ends of the known world. And Fabiola faces her own challenges in the no less perilous world of Roman high politics.

The four leads are the same as in The Forgotten Legion, virtuosos in every respect. The all-action cinematic style of The Forgotten Legion is continued in the sequel, and if anything the pace is even faster. Rapid intercutting between Fabiola’s adventures in Rome and Romulus, Brennus and Tarquinius in the east, always switching scene at a crucial moment with one or more of the leads on the brink of death, adds to the sense of breakneck speed. Fans of graphic battle scenes will find much to enjoy in the description of the Battle of Pharsalus and the 30-page epic (fictional) battle between the Forgotten Legion and the armies of the Indian kings, which takes place by the River Hydaspes in what is now the Punjab, literally on the edge of the Roman known world**.

Paradoxically, as I noted with the previous book, the technique of always leaving at least one character in mortal peril started to pall after a while, at least for me. I find it difficult to maintain a constant peak of dramatic tension when there are no quieter interludes to provide contrast, and after a while I got rather blasé and found myself thinking not “are they going to get out of that?” but “I wonder how they’re going to get out of that?”, which is not quite the same thing. This feeling was accentuated by the frequent use of prophecy.

Mysticism and supernatural visions featured in The Forgotten Legion, and this theme is continued and developed further in The Silver Eagle. In the earlier book, Tarquinius was established as a soothsayer with real supernatural powers to predict the future. In The Silver Eagle, I felt the mysticism tipped over the balance into historical fantasy. Romulus now also has prophetic visions, and Fabiola not only has visions but undergoes some sort of shape-shifting experience. This is not belief or illusion, as many other characters (an entire army) see her for real in her shape-changed form. Events are so heavily prophesied and foreshadowed that although the plot twists and turns there are few surprises. For example, the jacket copy says that of the three heroes “only two will survive”, but the prophecies in the first book, heavily repeated in The Silver Eagle, make it obvious from the beginning who has the short straw. This has the effect of reducing the suspense, and for me it gave the book a curious feel of waiting for the inevitable to happen.

The worship of Mithras, a soldier’s god, is widespread among the Parthians (as one would expect, given the eastern origin of the cult), and also runs through the Roman Army like a sort of first-century Freemasonry. This gives an interesting slant, as Tarquinius and Romulus in Parthia and Fabiola in Rome all encounter the Mithraic religion at about the same time, despite being thousands of miles apart.

Roman high politics and the civil war between Caesar and Pompey form a dramatic backdrop to Fabiola’s escapades in Rome, and her adventures provide a neat way of keeping the reader in touch with the Roman world while also following the three heroes in the distant east. The identity of the rapist who fathered Fabiola and Romulus is made clear in this book, just in case anyone hadn’t worked it out from the clues in The Forgotten Legion (yes, it is who I thought it was, and no, I’m not going to give it away here. Email me if you want to know). I suspect I can hazard a guess at the centrepiece of the third book in the trilogy, and possibly some of the roles the three remaining leads are going to play. Fabiola has already sown a seed that looks as if it might bear dramatic fruit in the Senate in 44 BC.

The geographical spread of The Silver Eagle is if anything even wider than that of The Forgotten Legion, which is saying something. The plot ranges from Gaul in the north all the way to India in the east and the coast of Africa in the south. The scene on the Ethiopian coast where the characters encounter Africa’s iconic wildlife – elephants, giraffes, antelopes – is one of the most memorable in the book. And the cast of subsidiary characters is equally exotic, including nomadic steppe tribesmen, pirates in the Indian Ocean and a wild beast hunter in Africa.

Greatly to the author’s credit, the lengthy civil war between Pompey and Caesar isn't compressed for plot purposes, the book simply makes use of the “Two years later” technique in chapter headings to skip over events that would be too complicated to tell in detail. As with The Forgotten Legion, a helpful Author’s Note summarises some of the underlying history and an invaluable map helps in locating all the exotic places and following the characters on their extensive travels.

Frenetic all-action historical fantasy spanning the limits of the Roman known world.

* The Brutus everyone has heard of, of “Et tu Brute” fame in Shakespeare, is Marcus Junius Brutus. Decimus Brutus was a contemporary who served as an officer in Caesar’s army in Gaul. I guess they were probably related, but they were different individuals.
**The river marked the limit of Alexander the Great’s campaign in 325 BC, so it was the furthest limit of the Mediterranean world’s knowledge of Asia.

The Forgotten Legion, by Ben Kane. Book review

Preface Random House, 2009, ISBN 978-1-84809-010-1. 603 pages.

The Forgotten Legion is set in 70 BC – 53 BC, in Rome, Gaul, Parthia (roughly modern Iran and Iraq) and Margiana (in modern Turkmenistan). The Roman politicians of the First Triumvirate, Crassus, Pompey and Julius Caesar, play secondary roles, as does the military officer Decimus Brutus*. All the main characters are fictional.

In the hills near Rome in 70 BC, Tarquinius, a slave proud of his Etruscan heritage and trained as the last Etruscan haruspex (soothsayer), leaves the estate when his mentor is killed on the orders of a Roman noble. In Rome at the same time, a slave girl is raped in the street by a Roman nobleman, identified only as “the lean man” and later gives birth to twins, a boy and girl named Romulus and Fabiola. In 61 BC, in Gaul, the mighty warrior Brennus witnesses the destruction of his tribe the Allobroges by Roman armies and is himself captured and sold into slavery as a gladiator. All four slaves are, in their different ways, determined to gain their freedom and exact revenge on Rome. Fabiola, sold into prostitution in a brothel that caters for the rich and powerful, has to learn to navigate the turbulent world of high politics and street violence in Rome. Tarquinius, Brennus and Romulus face a journey to the ends of the known world, as Crassus launches his invasion of Parthia. Can the four survive against overwhelming odds?

All the time I was reading The Forgotten Legion, I had the theme tune Nobody Does It Better from the James Bond film The Spy Who Loved Me running in my head. All four lead characters are gifted with innate, exceptional talents. Fabiola, a household slave sold to a brothel aged 13, quickly becomes the establishment’s star attraction and highest earner, and a mean street fighter into the bargain. Her twin brother Romulus, sold to a gladiator school also aged 13, is a champion gladiator within months. Brennus, who mows down legionaries despite being outnumbered a dozen to one, must be the mightiest Gaulish warrior since Asterix and Obelix (no, magic potion isn’t involved). Tarquinius has a supernatural ability that means he really can read the future in a chicken’s entrails and is an expert military strategist who invents in months a technique to withstand horse archery that the Parthians have never thought of, despite having been fighting enemy horse archer cultures from the steppes for years and having a ready supply of the requisite raw materials. Nothing wrong with this; it establishes The Forgotten Legion as a Romance in the old sense of the word, full of exceptional characters doing extraordinary things in exotic locations.

And are the locations exotic. One of the things I enjoyed most about The Forgotten Legion was its enormous geographical canvas. Most of the Roman-set fiction I’ve read tends to be set in Europe (the Roman invasion/occupation of Britain seems to be especially popular) or in Rome itself, so seeing the world beyond the eastern frontiers of the Empire makes an interesting change. Crassus’ soldiers march through Asia Minor (modern Turkey) to the vast deserts of Parthia, then over mountains to the green hills and valleys of Margiana, giving the reader a sort of whistle-stop tour of Central Asia. The sketch map provided at the beginning of the paperback is invaluable here, especially if used in conjunction with a modern atlas. The Parthian Empire occupied approximately the area of modern Iraq and Iran, and at the time of the Late Republic it was Rome’s chief rival for power in the region. Crassus really did invade Parthia, and anyone who doesn’t already know the historical outcome can find out by Googling for the Battle of Carrhae (insert modern parallel of your choice).

The Forgotten Legion features lots of action. As well as the Battle of Carrhae itself, which is one set-piece among several battles in the Parthian campaign, we also have gladiator contests in the arena and bar-room brawls, street fights and murder attempts in Rome itself. The narrative cuts back and forth between the different characters, always stopping on a cliffhanger (although there is not actually that much suspense, because Tarquinius predicts practically everything before it happens). Paradoxically, the sheer amount of action both speeds and slows the pace. On the one hand there’s hardly a chance to draw breath as the tale ricochets from one mortal peril to another. On the other, it gives the narrative a rather rambling quality; for example, it takes 350 pages before our three heroes finally come together in the legion of the title. This is perhaps because the novel is clearly only the first part of a much longer tale, and the “end” isn’t really an ending at all but more of a brief pause between volumes.

Tarquinius has magical powers to foretell the future that really work. It’s made quite plain that this isn’t just belief or coincidence; he really can predict the future accurately from clouds and animal innards. This makes the foreshadowing a bit heavy-handed for my taste, but conversely it does mean that the book is an easy read. If I had to stop reading for a lengthy period I never had to back-track to remind myself what was going on because so much is effectively told twice, once in prophecies and once in the action.

The aristocratic rapist who fathered Romulus and Fabiola seemed oddly contradictory to me. He is apparently so overcome with drink and lust that he rapes a random slave girl in a back alley, oblivious to dirt or the possibility of disease, yet so cool-headed that as soon as he has finished he mentally reviews a potted history of his entire political career to date. Although he is at this point identified only as “the lean man”, his identity could hardly be more obvious; and I suspect that I don’t need Tarquinius’ powers of soothsaying to predict where the story is eventually going to end up.

A preface and author’s note explain the history behind the Forgotten Legion’s remarkable journey, and a glossary explains the numerous Latin terms scattered through the text. I rarely referred to it because I found I could work them out from context, but it is helpful to know it’s there if needed.

Entertaining all-action blockbuster in book form.


*The Brutus everyone has heard of, of “Et tu Brute” fame in Shakespeare, is Marcus Junius Brutus. Decimus Brutus was a contemporary, who served as an officer in Caesar’s army in Gaul, and he is the Brutus who appears in The Forgotten Legion. I guess they were probably related, but I don’t know how closely.