The Course of Honour, by Lindsey Davis. Book review
Arrow,
1998. ISBN 978-0-099-22742-7. 341 pages.
Set
mainly in Rome in AD 31-69, The Course of
Honour tells the remarkable story of the lifelong love affair between Titus
Flavius Vespasian (later Emperor Vespasian) and the slave and later freedwoman
Antonia Caenis. Both main characters are historical figures, and their
relationship is (briefly) documented in historical sources.
Caenis
is a slave owned by Antonia, an important Roman noblewoman (daughter of Mark
Antony and niece of Emperor Augustus). Trained in the imperial school, Caenis
is a scribe and routine copyist, until Antonia needs someone to write a highly
confidential and dangerous letter in a hurry and Caenis is the only scribe available.
This incident sets Caenis on her path to becoming Antonia’s trusted secretary,
and later a career in the Imperial administration. Titus Flavius Vespasianus is
the younger son of an undistinguished noble family from a rural backwater,
without much in the way of money or political influence. Both will have to make
their own lives as best they can within the constraints of Roman society,
Vespasian by following the cursus honorum
(the ‘course of honour’) of successive military and political offices, Caenis
in the Imperial bureaucracy. As their love for each other grows, both know that
marriage is impossible – Roman law forbids anyone of senatorial rank from
marrying a slave or ex-slave – and both know that Vespasian will have to make a
suitable political marriage to someone else. Through separation and heartbreak,
not to mention the perils of life under a succession of mad Emperors, the love
between Caenis and Vespasian holds true – until chaos and civil war bring
Vespasian within reach of the ultimate prize...
The
lifelong love between Vespasian and Caenis is real, and is briefly mentioned in
Roman chronicles (e.g. Suetonius) but, as usual, details are scarce. In The Course of Honour, Lindsey Davis has
imagined the character of Caenis and the relationship between Caenis and
Vespasian over the course of their lives. Caenis’ position in the Imperial
service places her close to the heart of the political turmoil of the early
Empire, and readers of I, Claudius by
Robert Graves will recognise many of the events. Details of life in classical
Rome are vividly portrayed, from the Imperial palace staff to renting a shabby
apartment in a jerry-built tenement.
Most
of the story is told from Caenis’ perspective. She is a wonderful central
character, excellent company for the book’s 341 pages. Fiercely intelligent,
cynical (although not quite as cynical as her racy friend Veronica), honest and
realistic, the experience of life as a slave has taught her that life is
unreliable and good fortune liable to be fleeting. When Vespasian has to marry
for political reasons, Caenis ends their relationship and builds her own life
without him, surviving the erratic Emperor Caligula and then using her contacts
with the freedman Narcissus to get herself an appointment to the administration
under Emperor Claudius – not forgetting to persuade Narcissus of the merits of
appointing Vespasian to a senior military command for the invasion of Britain.
Caenis is resolved as far as possible to rely on no-one but herself, and
determined not to be dependent on anybody, not even Vespasian. Throughout the
ups and downs of her life she sticks to her principles. Despite the disparity
in their social status, the relationship between Caenis and Vespasian is one of
equals, with respect and (sometimes painful) honesty on both sides, as well as
love.
Caenis’
life story is particularly appealing because, in a society where women were
expected to be invisible and valued only for political alliances and as
producers of children, Caenis is a single woman without children, making her way
as best she can. It’s interesting to see the familiar politics of the early
Empire from the perspective of someone close to but not directly involved in
events. Caenis and her friend Veronica take a wry view of the unedifying antics
of the Imperial family, sometimes cynically amusing, as when Caenis remarks of
Claudius’ treacherous empress Messalina that Roman men are always divorcing
their wives and at least Messalina had returned the compliment, and sometimes
heartbreaking, as when Caenis reflects of Claudius’ children that in their
family tradition they will either have to become monsters or life will deal
monstrously with them.
The
writing style has the same fluency and immediacy as Lindsey Davis’ Falco novels
(e.g. The Silver Pigs, reviewed here earlier)
but with a more serious tone and less modern slang. I think The Course of Honour is my favourite of
Lindsey Davis’ Roman novels.
A
brief Author’s Note at the back outlines some of the underlying history, and a
detailed map at the front shows the layout of first-century Rome and is useful
for getting one’s bearings.
Remarkable
story of the lifelong love between Emperor Vespasian and the freedwoman Antonia
Caenis, against the background of the chaotic politics of the first-century
Roman Empire.
